The health-restoring potential of musical art in the postwar period

Resumen

The academic paper explores the prospects of using music therapy for people who have participated in hostilities or have been in the epicentre of military operations and have experienced post-traumatic stress disorder. The present research encompasses the historical documentation of attempts to apply music therapy during the First and Second World Wars, the evolution of music therapy in the latter part of the XX century, and the potential for growth in the context of contemporary conflicts, in particular, the ongoing Russian aggression against Ukraine since 2014. Three main types of music therapy practices have been identified: perceptual, motor practices, and music-making. It has been revealed that the positive impact of music therapy practices is not only noted by the patients themselves but also measured instrumentally, which gives objective grounds to emphasize the importance of the health-restoring potential of musical art. At the same time, the analysis of publications shows that music therapy practices are not widespread, but rather sporadic initiatives of individual rehabilitation centers and volunteer organizations. In addition, the attempt to find out which musical works should be used for music therapy practices also brings no results due to the lack of relevant studies.

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Biografía del autor

Natalia Seheda, Bohdan Khmelnytsky Melitopol State Pedagogical University, Zaporizhzhia, Ukraine.

Doctor of Pedagogical Sciences, Professor, Head of the Department of Theory and Methods of Music Education and Choreography, Educational and Scientific Institute of Socio-Pedagogical and Artistic Education, Bohdan Khmelnytsky Melitopol State Pedagogical University, Zaporizhzhia, Ukraine.

Inna Pashchenko, Bohdan Khmelnytsky Melitopol State Pedagogical University, Zaporizhzhia, Ukraine.

PhD, Associate Professor, Educational and Scientific Institute of Socio-Pedagogical and Artistic Education, Bohdan Khmelnytsky Melitopol State Pedagogical University, Zaporizhzhia, Ukraine.

Liliia Chervonska, Bohdan Khmelnytsky Melitopol State Pedagogical University, Zaporizhzhia, Ukraine.

Candidate of Pedagogical Science, Associate Professor, Bohdan Khmelnytsky Melitopol State Pedagogical University, Zaporizhzhia, Ukraine.

Svitlana Tereshchenko, Bohdan Khmelnytsky Melitopol State Pedagogical University, Zaporizhzhia, Ukraine.

Candidate of Pedagogical Sciences, Senior Lecturer, Department of Theory and Methodology of Musical Education and Choreography, Educational and Scientific Institute of Social, Pedagogical and Artistic Education, Bohdan Khmelnytsky Melitopol State Pedagogical University, Zaporizhzhia, Ukraine.

Hanna Vrubel, Bohdan Khmelnytsky Melitopol State Pedagogical University, Zaporizhzhia, Ukraine.

Concertmaster, Department of Theory and Methods of Music Education and Choreography, Educational and Scientific Institute of Socio-Pedagogical and Artistic Education, Bohdan Khmelnytsky Melitopol State Pedagogical University, Zaporizhzhia, Ukraine.

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Publicado
2024-02-29
Cómo citar
Seheda, N., Pashchenko, I., Chervonska, L., Tereshchenko, S., & Vrubel, H. (2024). The health-restoring potential of musical art in the postwar period. Amazonia Investiga, 13(74), 72-80. https://doi.org/10.34069/AI/2024.74.02.6
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Articles
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