Ecodesign and initiatives of sustainable development in the dimension of passion of artistic and design creativity

Oksana Lahoda; Maryna Tokar; Vladyslava Hurdina; Bohdan Bondarenko; Iryna Ieremenko

doi:10.34069/AI/2023.65.05.20

Oksana Lahoda Kharkiv State Academy of Design and Arts, Ukraine. https://orcid.org/0000-0003-1808-7119
Maryna Tokar Kharkiv State Academy of Design and Arts, Ukraine. https://orcid.org/0000-0002-3666-0604
Vladyslava Hurdina Kharkiv State Academy of Design and Arts, Ukraine. https://orcid.org/0000-0002-9040-3676
Bohdan Bondarenko Kharkiv State Academy of Design and Arts, Ukraine. https://orcid.org/0000-0002-2470-4518
Iryna Ieremenko Kharkiv State Academy of Design and Arts, Ukraine. https://orcid.org/0000-0002-3676-4892

##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.34069/AI/2023.65.05.20

Résumé

The fashion industry under modern circumstances is one of the most developed industries, which determines its tangible impact on people and nature. The purpose of the article is to analyze ecodesign and sustainable development initiatives through the dimension of passion for artistic and educational creativity. The theoretical and empirical methods of scientific research were used. In the results, it was established that previously the requirements of environmental friendliness were perceived to a greater extent as limitations in the creative process. They are the basis and a kind of impetus for the generation of new creative ideas. The novelty of the work consists in proving the development of clothing design as an element of the designer's personality development as a leading specialist not only in design matters, but also in creating an organic combination of all components of the product creation process. The practical significance of the work is to determine the future of the fashion industry in the use of environmentally friendly and technological fabrics. In the conclusions, it is noted that new creative searches are due to the vital need for a new philosophy of world perception, which will influence ecodesign in the future.

##plugins.generic.usageStats.downloads##

##plugins.generic.usageStats.noStats##

Bibliographies de l'auteur

Oksana Lahoda, Kharkiv State Academy of Design and Arts, Ukraine.

Doctor of Study of Art (Design), Head of Department of Design of Textiles and Clothes, Professor KSADA – Kharkiv State Academy of Design and Arts, Ukraine.

Maryna Tokar, Kharkiv State Academy of Design and Arts, Ukraine.

PhD (Arts), As. Prof., First Deputy rector for Research and Education KSADA – Kharkiv State Academy of Design and Arts, Ukraine.

Vladyslava Hurdina, Kharkiv State Academy of Design and Arts, Ukraine.

Candidate of Study of Art (Design), Ph. D., Docent KSADA – Kharkiv State Academy of Design and Arts, Ukraine.

Bohdan Bondarenko, Kharkiv State Academy of Design and Arts, Ukraine.

Candidate of Study of Art (Design), Ph. D., Assistant Professor of the Department of Design, KSADA – Kharkiv State Academy of Design and Arts, Ukraine.

Iryna Ieremenko, Kharkiv State Academy of Design and Arts, Ukraine.

Candidate of Study of Art (Design), Ph. D., Head of the Design Department, Docent, Kharkiv State Academy of Design and Arts, Ukraine.

Références

Bakalinska, Kh., & Kolosnichenko, M. (2018). Application of the concept of eco-trend in the design of modern clothing. Actual problems of modern design, collection of materials of the International scientific and practical conference, Kyiv [in Ukrainian].

Cartner-Morley, J. (2019, August 29). Vin + Omi team up with Prince Charles to launch clothing line made of nettles. The Guardian. Retrieved from https://acortar.link/H4ZOkz

Duriez, E., Morlier, J., Azzaro-Pantel, C., & Charlotte, M. (2022). Ecodesign with topology optimization. Procedia CIRP, 109, 454–459. https://doi.org/10.1016/j.procir.2022.05.278

Flannery, J. A., & Smith, K. M. (2014). Introduction. In Eco-Library Design (p. 4–5). Dordrecht: Springer Netherlands. https://doi.org/10.1007/978-94-007-4078-5_1

Goyal, A. P. (2016). Ethical eco-fashion-future or utopia: role of sustainability marketing. International journal of engineering sciences & management research, 3, 117-128.

Hakhova, A., & Yeremenko, I. (2021). Upcycling: ProductRecyclingConcepts. Current issues of humanitarian sciences, 42(1), 66-73. https://doi.org/10.24919/2308-4863/42-1-7 [in Ukrainian].

Jochamowitz Yriberry, M., Jochamowitz Yriberry, S., & Larios-Francia, R. P. (2023). The Role of Ecodesign in Circular Economy to Improve the Performance of Enterprises in the Fashion Industry: A Systematic Review of Literature. The International Journal of Environmental Sustainability, 19(2), 43–74. https://doi.org/10.18848/2325-1077/cgp/v19i02/43-74

Kiurski, J. S., Marić, B. B., Oros, I. B., & Kecić, V. S. (2017). The ecodesign practice in Serbian printing industry. Journal of Cleaner Production, 149, 1200–1209. https://doi.org/10.1016/j.jclepro.2017.02.193

Lahoda, O. (2021). Representative design practices as a designer's right to creative communication. JILK (Journal of International Legal Communication), 1(1), 205-215. https://doi.org/10.32612/uw.27201643.2021.1

Oliveira, R. C., Näas, I. d. A., & Garcia, S. (2022). Fashion Industry 4.0: A Bibliometric Review in the Fashion Industry. Research, Society and Development, 11(12), e490111234203. https://doi.org/10.33448/rsd-v11i12.34203

Pokhodenko, K. (2020). Sustainable fashion as a subject of scientific research. Herald of Knukim. Series: Art history, 45, 249–256. https://doi.org/10.31866/2617-7951.4.2.2021.246846 [in Ukrainian].

Pozniak, H. (2019). Fashion crisis: a need for change [fashion industry sustainability]. Engineering & Technology, 14(12), 44–47. https://doi.org/10.1049/et.2019.1202

Singer, S. (2019, September 13). Christian Dior Spring 2020 Ready-to-Wear Collection. Vogue. Retrieved from https://acortar.link/N1j3Wu

Tkanko, Z., & Tkanko, O. (2019). Ecological design in the fashion industry at the beginning of the 21st century. Bulletin of the Lviv National Academy of Arts, 39, 161-169 [in Ukrainian].

Van Doorsselaer, K., & Koopmans, R. J. (2020). Ecodesign in the Product Development Process. In Ecodesign (p. 157–177). München: Carl Hanser Verlag GmbH & Co. KG. https://doi.org/10.3139/9781569908624.006

Williams, D. (2018). Fashion Design as a Means to Recognize and Build Communities-in-Place. CrossRef Listing of Deleted, 1, 1-22. https://doi.org/10.1016/j.sheji.2018.02.009