Musical projects in Ukraine of the XXI century as trends in contemporary art

Inna Dovzhynets; Nataliya Govorukhina; Oleh Kopeliuk; Oleksandr Ovchar; Iryna Drach

doi:10.34069/AI/2022.54.06.24

Inna Dovzhynets I.P. Kotlyarevsky Kharkiv National University of Arts, Ukraine. https://orcid.org/0000-0002-9663-2576
Nataliya Govorukhina I.P. Kotlyarevsky Kharkiv National University of Arts, Ukraine. https://orcid.org/0000-0003-3100-9035
Oleh Kopeliuk I.P. Kotlyarevsky National University of Arts, Ukraine. https://orcid.org/0000-0002-0428-1538
Oleksandr Ovchar I.P.Kotlyarevsky National University of Arts, Ukraine. https://orcid.org/0000-0003-1274-2362
Iryna Drach I.P. Kotlyarevsky Kharkiv National University of Arts, Ukraine. https://orcid.org/0000-0003-2089-9570

DOI: https://doi.org/10.34069/AI/2022.54.06.24

Keywords: academic music, innovation, tradition, festival, national identity, experimentation, ethnic music.

Abstract

The relevance of scientific work is determined by the need to identify and justify the syntactic-semantic connection between contemporary musical art and the socio-cultural world space. The aim of the article is a comparative analysis of tradition-innovation relation in the context of musical art in modern Ukraine on the example of leading musical projects. Achievement of the objectives was possible due to the use of a number of methods of scientific research, among which analysis, synthesis, generalization, and systematization, as well as the method of comparativism. The relevance of studying the correlative connection between traditional Ukrainian cultural space and global artistic trends, gravitating toward pluralism and multiculturalism, as well as the establishment of intercultural communication was confirmed. The novelty of the scientific article consists in the study of musical projects as objects of the sphere of art for the identification of Ukrainian tendencies. The practical value of the work is focused on providing the scientific space with qualitative information content on the topic of the formation of Ukrainian festivals and explaining their specificity. Thus, the authors have summarized a comprehensive cultural research and identified the prospects for further developments with the online measurement of audiovisual int of modern Ukraine.

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Author Biographies

Inna Dovzhynets, I.P. Kotlyarevsky Kharkiv National University of Arts, Ukraine.

Doctor of Arts, Associate professor Professor of а Department оf General and Specialized Piano I.P. Kotlyarevsky Kharkiv National University of Arts, Orchestra Faculty, Ukraine.

Nataliya Govorukhina, I.P. Kotlyarevsky Kharkiv National University of Arts, Ukraine.

PhD in Arts Studies, full professor Rector Solo Singing and Opera Studies Department Performance and Musicology Faculty, I.P. Kotlyarevsky Kharkiv National University of Arts, Ukraine.

Oleh Kopeliuk, I.P. Kotlyarevsky National University of Arts, Ukraine.

PhD in Art Studies, Accociate Professor Special Piano Department Kharkiv I.P. Kotlyarevsky National University of Arts, Ukraine.

Oleksandr Ovchar, I.P.Kotlyarevsky National University of Arts, Ukraine.

PhD in Philosophy, associate professor Head of the Department of Orchestral Wind Instruments and Opera and Symphony Conducting, Faculty of the orchestra Kharkiv I.P.Kotlyarevsky National University of Arts, Ukraine.

Iryna Drach, I.P. Kotlyarevsky Kharkiv National University of Arts, Ukraine.

Doctor habilitatus of musicology, Head of the Department of History of Ukrainian and Foreign Music, the Performance and Musicology Faculty I.P. Kotlyarevsky Kharkiv National University of Arts, Ukraine.

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