Performing musicology: retrospective, methodological principles, looking to the future

Аndriy Dushniy; Antonina Boichuk; Ruslan Kundys; Yaroslav Oleksiv; Roman Stakhniv

doi:10.34069/AI/2022.53.05.8

Аndriy Dushniy Drohobych Ivan Franko State Pedagogical University, Drohobych, Ukraine. https://orcid.org/0000-0002-5010-9691
Antonina Boichuk Drohobych Ivan Franko State Pedagogical University, Drohobych, Ukraine. https://orcid.org/0000-0001-5401-8343
Ruslan Kundys Lviv Ivan Franko National University, Lviv, Ukraine. https://orcid.org/0000-0002-6374-4811
Yaroslav Oleksiv Lviv Mykola Lysenko National Music Academy, Lviv, Ukraine. https://orcid.org/0000-0002-1542-4928
Roman Stakhniv Drohobych Ivan Franko State Pedagogical University, Drohobych, Ukraine. https://orcid.org/0000-0002-3659-781X

DOI: https://doi.org/10.34069/AI/2022.53.05.8

Keywords: performing art, musical science, systematic and comparative analysis, polyanalysis, history and methods of performing musicology.

Abstract

The history of performing musicology is a vast panorama of traditions in the context of national schools and styles of certain eras. It provides a key to deciphering individual and widely used techniques. Her legacy helps not only to comprehend the process of the formation of the art of outstanding representatives of world musical performance, but also opens up unlimited prospects for the further development of performing skills and enriching it with new content. In this article, the author collects and studies materials on the topic of research. The purpose of this publication is an analysis of sources (the quality effects model), revealing the history of performing musicology and its key methods which give grounds for constructing hypotheses regarding the prospects of this direction in the context of world (including Ukraine`s art) culture. The author gives different types of performing musicology analysis including integrative, systematic and comparative methods. It's a base for the aim of this work which consists of the creation of hypotheses connected with the performing musicology`s future.

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Author Biographies

Аndriy Dushniy, Drohobych Ivan Franko State Pedagogical University, Drohobych, Ukraine.

Head of Folk Musical Instruments and Vocals Department Educational and Scientific Insti-tute of Musical Arts Drohobych Ivan Franko State Pedagogical University, Drohobych, Ukraine.

Antonina Boichuk, Drohobych Ivan Franko State Pedagogical University, Drohobych, Ukraine.

Educational and Scientific Institute of Musical Arts Drohobych Ivan Franko State Pedagogical University, Drohobych, Ukraine.

Ruslan Kundys, Lviv Ivan Franko National University, Lviv, Ukraine.

Department of Directing and Choreography Lviv Ivan Franko National University, Lviv, Ukraine.

Yaroslav Oleksiv, Lviv Mykola Lysenko National Music Academy, Lviv, Ukraine.

Department Faculty of Musicology, Composition, Vocals and Conducting; Department of Folk Instruments Lviv Mykola Lysenko National Music Academy, Lviv, Ukraine.

Roman Stakhniv, Drohobych Ivan Franko State Pedagogical University, Drohobych, Ukraine.

Department of folk music instruments and vocals Educational and Scientific Institute of Musical Arts Drohobych Ivan Franko State Pedagogical University, Drohobych, Ukraine.

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