Adoption of Western Four-Sense Biblical Hermeneutics by Ukrainian Baroque Literature
Keywords:
biblical hermeneutics, Holy Scriptures, Ukrainian baroque literature, the four-dimensional method of biblical hermeneutics, theological literature.
Abstract
The study outlines general principles of biblical hermeneutics influence on the poetics of Ukrainian baroque prose. The Bible perceived by ancient writers as a collection of sacred books written by the Holy Spirit through the mediation of hagiographers is full of metaphors, comparisons, allegories and parables that needed clarification. Biblical hermeneutics developed rules for the Bible exegesis in order to avoid false variants of interpreting the Scripture. The four-sense method of biblical hermeneutics borrowed from Western Catholic tradition helped to avoid controversial interpretation of the Holy Scripture. The immersion of Ukrainian baroque literature into the biblical domain caused its paraphrasing nature and created conditions for the development of the four-sense hermeneutics as the structure of the poetics of Ukrainian baroque prose. Principles of biblical hermeneutics, having become a monolithic core of the form and content of authors’ texts, eventually began to go beyond the actual theological literature into the field of secular arts.
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References
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Baranowicz, L. (1676 ). Nowa miara starey wiary. Nowogrod-Siewiersk.
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Kermoud, F. (1979). The origins of secrecy. Interpretation of a narrative. Moscow: Progress.
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Matushek, O. (2000). The Reception of the Dormition of the Mother of God in Ukrainian baroque literature. In The Bible and Culture: collection of scientific articles (Vol. 2, pp. 23–28). Chernivtsi.
Matushek, O. (2013). Lazar Baranovych’s homilies in Ukrainian Baroque discourse. Kharkiv: Maidan.
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Longenecker R. (1999). Biblical Exegesis in the Apostolic Period. 2nd ed. Vancouver: Eerdmans. Regent College.
Matushek, O (2013). Lazar Baranovych’s Sermons in the Discourse of The Ukrainian Baroque. Kharkiv: Majdan.
Origen (1993). On the first principles. Samara: Publishing House RA.
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Skovoroda, H. (2010). A full academic collection of works. Krakiv: Maidan.
Sofronova, L. (1981). Poetics of the Slavic theater of the XVII - the first half of the XVIIІ century: Poland, Ukraine, Russia. Moscow: Science.
Sofronova, L. (1991). Ukrainian baroque theatre and Christian cultural traditions In Ukrainian baroque and European context (p. 198-203). Kyiv: Naukova dumka.
Sulyma, M. (2005). Various sins (penance issues of the 17th-18th centuries). Kyiv: Feniks.
Sulyma, M. (2006). A book of seven chapters: Literary critical articles and studies. Kyiv: Feniks, 42–45.
Sulyma, V. (1998). The Bible and Ukrainian literature. Kyiv: Osvita.
Sulyma, V. (2006). The development of Kievan Rus’ preaching: characteristics of literary exegesis and poetics. In O. Aleksandrov (Ed.), Medieval Studies: collection of scientific articles (p. 29–39). Odesa: Astroprint.
Sulyma, V. (2018). Terminological definitions and geneology of genres of oratory preaching prose of the 11th-18th centuries. In Izbornyk 2012-2016. Studies. Criticism. Publications. Kyiv: Vydavnychyi dim Dmytra Buraho.
Sumtsov, N. (1884). To the history of South Russian literature of the 17th century. Ioannykii Galiatovskii. Kiev: H.T.Korchak-Novytskii’s Publishing House.
Tuptalo, D. (1700). Lives of the Saints. Kyiv: Kiev Pechersk Lavra Printing House.
Tuptalo, D. (1748). The study of divisive Bryn faith. Kyiv: Kiev Pechersk Lavra Printing House.
Tuptalo, D. (1842). Chronicle. In Works of Saint Dimitry, Metropolitan of Rostov (Vol. 4. P. 29). Moscow.
Ushkalov, L.V. & Marchenko, O.M. (1993). Essays on Hryhorii Skovoroda’s philosophy. Kharkiv.
Ushkalov, L. (1994). The world of Ukrainian Baroque. Kharkiv: Oko.
Ushkalov, L. (1997). Hryhorii Skovoroda and ancient culture. Kharkiv: Znannia.
Ushkalov, L. (1998a). To the issue of Skovoroda noetics: prefigurative themes. In In memory of Hryhorii Skovoroda. Proceedings of Scientific Conference devoted to 275th anniversary of the Ukrainian philosopher and poet. Kharkiv.
Ushkalov. L. (1999a). Hryhorii Skovoroda’s biblical hermeneutics against the background of Ukrainian baroque theology in Collection of works of Kharkiv historical philological society (Vol.8, pp. 23-45). Kharkiv.
Ushakalov, L. (1999b). Augustine of Hippo and Ukrainian writers of the 17th-18th centuries In Collection of works of Kharkiv historical philological society (Vol. 7, pp. 33-45). Kharkiv.
Ushkalov, L. (1999b). From the history of Ukrainian literature of 17th-18th centuries. Kharkiv: Akta.
Ushkalov, L. (2011). From the Baroque to Postmodernity: essays. Kyiv: Hrani-T.
Ushkalov, L. (2014). Literature and philosophy: the era of Ukrainian Baroque. Kharkiv: Maidan.
Ushkalov, L. (2016). Ukraine and Europe: essays on the history of literature and philosophy. Kharkiv. Maidan.
Baranowicz, L. (1676 ). Nowa miara starey wiary. Nowogrod-Siewiersk.
Chyzhevskyi, D. (1934). Philosophy of H.S.Skovoroda. Warsaw.
Chyzhevskyi, D. (1991). Essay on the history of philosophy in Ukraine. New York.
Chyzhevskyi, D. (2003). Ukrainian literature baroque. Essays, Kharkiv: Akta.
Clemens, Alexandrinus. (1909–1972). Opera (Vol. 1, Р. 28). Berlin: Leipzig.
Gadamer, H. G. (2001). Hermeneutics and poetics: selected works. Kyiv: Yunivers.
Galiatovskyi, I. (1660). The key to understanding. Kyiv: Kyiv Pechersk Lavra.
Galiatovskyi, I. (1669). Messiah truthful. Kyiv: Kyiv Pechersk Lavra.
Galatowski, I. (1672). Messiasz Prawdziwy. Kijów.
Galatowski, I. (1681). Alphabetum rozmaitym heretykom. Czernihów: Typogr. Łazarza Baranowicza.
Ivano, I. (1987). About Ukrainian baroque literature. In O.V. Myshanycha (Ed.), Ukrainian baroque literature (pp. 3–9). Kyiv: Naukova dumka.
Izer, V. (1996). The process of reading: phenomenological approach. In M. Zubrytska (Ed.), Word. Sign. Discourse: Anthology of the world literary criticism of the 20th century (pp. 26–277). Lviv: Litopys.
Kermoud, F. (1979). The origins of secrecy. Interpretation of a narrative. Moscow: Progress.
Krysa, B. (1997). Recreating of the world. Ukrainian poetry of the 17th-18th centuries. Lviv: Svichado.
Lanovyk, Z. (2006). Biblical hermeneutics: development and methodology (symbolic allegorical aspect of literary criticism discourse) (doctoral thesis). Ternopil Volodymyr Hnatiuk National Pedagogical University, Kyiv.
Levchenko, N. (2018a). Biblical hermeneutics in ancient Ukrainian literature.
Monography. Kharkiv: Majdan.
Levchenko, N. (2018b). Biblical hermeneutics in literary texts of the European Renaissance and Ukrainian Baroque. Renaissance Studies, 29–30, 31–49.
Levchenko, N. (2019a). Exegetical forms of theophany in the works by Stefan Jaworski. In Research of different directions of development of filological sciences in Ukraine and EU. Baia
Mare, 58–63.
Levchenko, N. (2019b). Concepts the laughter and joy how the ambivalence sensitive area of the Bible exegeses in the structure of poetics of Ukrainian Baroque prose. In Scientific Bulletin of the International Humanities University. Series: Philology, 40-45.
Levin, P. (1984). Drama and Theater at Ukrainian Schools in the Seventeenth and Eighteenth Centuries: The Bible as Inspiration of Images, Meanings, Style and Stage Productions. In Harvard Ukrainian Studies. Vol. VIII. (№ ½), 93–122).
Liamprekht, O. (2006). “Iak tebe nazovem, o Izradilaia”: Marian themes in Polish language prose of Lazar Baranovych’s circle. In From the Baroque to postmodernity: Collection of works of Ukrainian and world literature department of H.S.Skovoroda Kharkiv National Pedagogical University (Vol. ІV. p. 105 115). Kharkiv: Maidan.
Liamprekht, O. (2007). Christological motives in Polish language prose of Lazar Baranovych and the writers of his circle. In From the Baroque to postmodernity: Collection of works of Ukrainian and world literature department of H.S.Skovoroda Kharkiv National Pedagogical University (Vol. IV. p. 152-160). Kharkiv: Maidan.
Liamprekht, O. (2016). Polish language Ukrainian prose of Lazar Baranovych’s circle (doctoral thesis). H.S.Skovoroda Kharkiv National Pedagogical University, Kharkiv.
Matushek, O. (2000). The Reception of the Dormition of the Mother of God in Ukrainian baroque literature. In The Bible and Culture: collection of scientific articles (Vol. 2, pp. 23–28). Chernivtsi.
Matushek, O. (2013). Lazar Baranovych’s homilies in Ukrainian Baroque discourse. Kharkiv: Maidan.
Mechkovskaia, N. (1988). Language and religion. Moscow: Agency “FAIR”.
Longenecker R. (1999). Biblical Exegesis in the Apostolic Period. 2nd ed. Vancouver: Eerdmans. Regent College.
Matushek, O (2013). Lazar Baranovych’s Sermons in the Discourse of The Ukrainian Baroque. Kharkiv: Majdan.
Origen (1993). On the first principles. Samara: Publishing House RA.
Ramm, B. (1970). Protestant Biblical Interpretatio. Gard Rapids.
Skovoroda, H. (2010). A full academic collection of works. Krakiv: Maidan.
Sofronova, L. (1981). Poetics of the Slavic theater of the XVII - the first half of the XVIIІ century: Poland, Ukraine, Russia. Moscow: Science.
Sofronova, L. (1991). Ukrainian baroque theatre and Christian cultural traditions In Ukrainian baroque and European context (p. 198-203). Kyiv: Naukova dumka.
Sulyma, M. (2005). Various sins (penance issues of the 17th-18th centuries). Kyiv: Feniks.
Sulyma, M. (2006). A book of seven chapters: Literary critical articles and studies. Kyiv: Feniks, 42–45.
Sulyma, V. (1998). The Bible and Ukrainian literature. Kyiv: Osvita.
Sulyma, V. (2006). The development of Kievan Rus’ preaching: characteristics of literary exegesis and poetics. In O. Aleksandrov (Ed.), Medieval Studies: collection of scientific articles (p. 29–39). Odesa: Astroprint.
Sulyma, V. (2018). Terminological definitions and geneology of genres of oratory preaching prose of the 11th-18th centuries. In Izbornyk 2012-2016. Studies. Criticism. Publications. Kyiv: Vydavnychyi dim Dmytra Buraho.
Sumtsov, N. (1884). To the history of South Russian literature of the 17th century. Ioannykii Galiatovskii. Kiev: H.T.Korchak-Novytskii’s Publishing House.
Tuptalo, D. (1700). Lives of the Saints. Kyiv: Kiev Pechersk Lavra Printing House.
Tuptalo, D. (1748). The study of divisive Bryn faith. Kyiv: Kiev Pechersk Lavra Printing House.
Tuptalo, D. (1842). Chronicle. In Works of Saint Dimitry, Metropolitan of Rostov (Vol. 4. P. 29). Moscow.
Ushkalov, L.V. & Marchenko, O.M. (1993). Essays on Hryhorii Skovoroda’s philosophy. Kharkiv.
Ushkalov, L. (1994). The world of Ukrainian Baroque. Kharkiv: Oko.
Ushkalov, L. (1997). Hryhorii Skovoroda and ancient culture. Kharkiv: Znannia.
Ushkalov, L. (1998a). To the issue of Skovoroda noetics: prefigurative themes. In In memory of Hryhorii Skovoroda. Proceedings of Scientific Conference devoted to 275th anniversary of the Ukrainian philosopher and poet. Kharkiv.
Ushkalov. L. (1999a). Hryhorii Skovoroda’s biblical hermeneutics against the background of Ukrainian baroque theology in Collection of works of Kharkiv historical philological society (Vol.8, pp. 23-45). Kharkiv.
Ushakalov, L. (1999b). Augustine of Hippo and Ukrainian writers of the 17th-18th centuries In Collection of works of Kharkiv historical philological society (Vol. 7, pp. 33-45). Kharkiv.
Ushkalov, L. (1999b). From the history of Ukrainian literature of 17th-18th centuries. Kharkiv: Akta.
Ushkalov, L. (2011). From the Baroque to Postmodernity: essays. Kyiv: Hrani-T.
Ushkalov, L. (2014). Literature and philosophy: the era of Ukrainian Baroque. Kharkiv: Maidan.
Ushkalov, L. (2016). Ukraine and Europe: essays on the history of literature and philosophy. Kharkiv. Maidan.
Published
2020-08-12
How to Cite
Levchenko, N., Liamprekht, O., Povar, M., & Chukhno, O. (2020). Adoption of Western Four-Sense Biblical Hermeneutics by Ukrainian Baroque Literature. Amazonia Investiga, 9(31), 178-184. https://doi.org/10.34069/AI/2020.31.07.16
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