Folklore tradition in the art world of Chekhov: Second part
Keywords:
Chekhov, poetics, Russian literature of the early 20th century, symbol, ceremonial reality, lyrical folk song.
Abstract
This article continues a large study on folk tradition functioning in Chekhov’s poetics. The study subject is the forms of folklore tradition in his late stories. Much attention is paid to amusical aspect of “The Steppe”. In this case a Russian lyric song having a non-outlined composition is typologically significant. The story with its open end is like a song which allows the hero growing over himself. The main method of the article is structural-typological one.
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References
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Shvetsov, L.K. (1994). New peasant poetry. Klyuyev. Yesenin. History of World Literature: In 8 volumes. Academy of Sciences of the USSR; Institute of World Literature named after A.M. Gorky. Moscow. P. 120.
Silantieva, V.I. (1981). The novella of A.P. Chekhov “The Steppe” (genre and compositional features). Problems of Russian literature. Lvov. Ed. 2.
Sukhikh, I.N. (1987). To the problem of Chekhov’s chronotope. Sukhikh I.N. Problems of A. Chekhov’s poetics. Leningrad. P. 137.
Turner, V. (1983). Liminality and Communitas. Symbol and ritual. Moscow: Nauka. P. 169.
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Bogatyrev, P.G. (2006). Studying Slovak robber songs. The motif “Hangman-wedding”. Functional-structural study of folklore (Little-known and unpublished works). Moscow. P. 170.
Chekhov, A.P. (1974-1982a). Complete works and letters: In 30 vols. Writings: In 18 vols. Academy of Sciences of the USSR. Institute of World Literature named after M. M. Gorky. Moscow.
Chekhov, A.P. (1974-1982b). The Steppe. Complete works and letters: In 30 vols. Writings: In 18 tons. Academy of Sciences of the USSR. Institute of World Literature named after M.M. Gorky. Moscow.
Dementiev, V.V. (1984). Olonets wizard. N. Klyuev. Confession of the earth: A word about Russian poetry. Moscow: Sov. Russia. P. 48.
Frumkina, A.I. (1987). Features of A.P. Chekhov‘s “The Steppe” composition. Speech art poetics. Voronezh: VSU. P. 84.
Etkind, E.G. (1999). A.P. Chekhov. “Inner man” and external speech. Essays on the Psycho-Poetics of Russian Literature of 18th-19th centuries. Moscow: Yazyki Russkoy Kultury. P. 411.
Fortunatov, N.M. (1974). Rhythm of artistic prose. Rhythm, space and time in literature and art: art. col. Leningard: Nauka. P. 180.
Fortunatov, N.M. (1974). Ways of searching. On the skill of the writer. M.: Soviet writers. Pp. 107-108.
Graves, R. (2007). White Goddess: Historical grammar of poetic mythology. Ekaterinburg: U-Factoria. P. 212.
Gromov, L.P. (1951). Etudes about Chekhov. Rostov-on-Don: Rostov Regional Book Publishing.
Knabe, G.S. (2000). Russian antiquity. Moscow: Ros. state. Humanit. un-t. P. 19.
Lotman, Yu.M. (1997). Artistic space in Gogol's prose. Russian literature. Articles and researches (1958 - 1993). St. Petersburg: Art-SPB. P. 658.
Medrish, D.N. (1978). The plot situation in the Russian folk lyric poetry and in the works of Anton Chekhov. Slavic literature and folklore. Russian folklore. Leningrad: Nauka. Vol. 18.
Mikhailova, M.V. (2009). Steppe suite of Sergei Bondarchuk. Dialogue with Chekhov: Collection of scientific works in honor of the 70th anniversary of V. B. Kataev. Moscow: Moscow State University. Pp. 299-307.
Olenin, A.A. (1999). Diaries. Memories. St. Petersburg.
Podoroga, V.A. (2006). Nature morte, Works composition and literature N. Gogol. Mimesis. Materials on analytical anthropology of literature. Volume 1. N. Gogol, F. Dostoyevsky. Moscow: Cultural Revolution, Logos, Logos - altera. P. 130.
Polonsky, V. (2007). Chekhov's trace in the dramaturgy of the Russian Symbolists. On “despondency passion”, “hostages of life” and “future joy”. Problems of literature. No. 6.
Polotskaya, E.A. (2001). In the light of literature (Pushkin, Dostoevsky). On the poetics of Chekhov. Moscow. P. 121.
Pushkin, A.S. (1977-1979). The Captain's Daughter. Complete works: In 10 vols. Leningrad. Vol. 6. P. 314.
Shvetsov, L.K. (1994). New peasant poetry. Klyuyev. Yesenin. History of World Literature: In 8 volumes. Academy of Sciences of the USSR; Institute of World Literature named after A.M. Gorky. Moscow. P. 120.
Silantieva, V.I. (1981). The novella of A.P. Chekhov “The Steppe” (genre and compositional features). Problems of Russian literature. Lvov. Ed. 2.
Sukhikh, I.N. (1987). To the problem of Chekhov’s chronotope. Sukhikh I.N. Problems of A. Chekhov’s poetics. Leningrad. P. 137.
Turner, V. (1983). Liminality and Communitas. Symbol and ritual. Moscow: Nauka. P. 169.
Veselovsky, A.N. (1940). Historical poetics. Leningrad: fiction. P. 272.
Yesenin, S.A. (1997). Coll. Works: In 7 vol. Moscow: Nauka: Golos. P.191. [Hereinafter, the texts of Yesenin's works are quoted from the publication with the indication of the volume and the page]. (Hereinafter the examples are spaced by the authors).
Published
2019-08-31
How to Cite
Dudareva, M., Karpova, Y., & Lakhaeva, A. (2019). Folklore tradition in the art world of Chekhov: Second part. Amazonia Investiga, 8(21), 506-512. Retrieved from https://www.amazoniainvestiga.info/index.php/amazonia/article/view/130
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